Review of Suicide Squad or How To (Almost) Get Away With Bad Filmmaking

When DC comic book fans were disappointed by Batman v. Superman:  Dawn of Justice, they were hoping the next movie, Suicide Squad, would be the one to get the DC-verse back on track and maybe make the MCU look over its shoulder.

That hope continued through Comic-Con and all the promos. If it's gotten to the point that super heroes are battling each other, maybe some villains can be cajoled into helping their fellow man. After all, they can rub it into the faces of the hero that's always bugging them.

Well, it worked as well as B v. S, sadly. Despite really good performances by Will Smith as Deadshot and Margot Robbie as Harley Quinn, Suicide Squad fell flat because, like B v. S, it was another prologue to the Justice League movie that's really the beginning of the DC-verse. For one thing, the crew faces a villain worse than Zod and Lex Luthor Being the Riddler, and it was sort of the fault of the person who organized the squad. It also inserts two heroes that are featured in the Justice League trailer.

Anyway, the squad is organized by Amanda Waller (Viola Davis), who thinks that the best way to deal with an evil Superman is recruit the worst villains to fight against this threat. Along with Deadshot and Quinn (who still misses her Mr. J, played by Jared Leto) the crew includes Captain Boomerang (Jai Courtney), Slipknot (Adam Beach), Diablo (Jay Hernandez), Killer Croc (Adewale Akinnouye-Agbaje),   Katana (Karen Fukuhara) and anthropologist Dr. June Moone, or rather the monster that possesses her, Enchantress (Cara Delevigne). The guy directing them on the ground is Rick Flagg, played by Joel Kinneman. He only thinks he's in charge.

Here's where Suicide Squad makes its big mistake.  Waller thinks she can control Enchantress by taking its heart, while Rick thinks he can do the same by loving the human side of her. That's how Waller can get Enchantress to take some key intel from Iran faster than Dr, Strange can travel through portals in his movie trailer. However, she double-crosses them both and revives her "brother." They plan to build a machine that would destroy mankind.
Sound familiar? It's the same Big Bad plan that Batman v. Superman had. It's less complex than Lex Luthor combining his DNA with the body of General Zod to create Apocalypse, but it shows a lack of imagination. Besides, her plan is mostly making soldiers easily broken by Harley's sweet swings with her bat, while dancing in one spot to make her machine like a showgirl. This movie didn't need her, or the romantic angle Waller sort of encouraged.

Waller should have been the Big Bad. It was her idea to create the squad, so have her create a problem to justify her idea and make sure no one knows. Then have the Joker make things more complicated by trying to take over the situation. This would have forced Harley to decide whether to stick with the squad, or go over to Joker...or maybe get him to help when things go really wrong. That would have made things better, just enough to give DC fans hope as we wait for Wonder Woman's movie to be shown.
And why shouldn't Waller be the Big Bad? Viola Davis shows she's about as ruthless as anyone, trying to make her own Injustice League. Still, you have to wonder if Annalise Keating could have done better.

Instead, we have the squad squabbling with each other as they get through the disaster Enchantress has started. In fact, we only get to see her destruction sparingly until the final act. There are pretty good moments, like Diablo explaining how his power has cost him too much, and Harley recalling how she jumped into a boiling vat to show her devotion to the Joker. That was a nice callback to the 1989  Batman movie.

The biggest crime is that the Joker doesn't play a major role. We see him be evil and nuts. Leto's performance takes a bit from Jack Nicholson and Heath Ledger's interpretations, but it's basically him being creepy. At least with Ledger, he went the extra mile because of the story. You think Leto will really make things interesting once he comes for Harley, but the story has other ideas. It may give Robbie a great opportunity to make Harley special by herself, but it ruined Leto's chance to show how special his Joker can be,

There are good parts in the movie, especially how the squad members are introduced. They also do a lot to show how Deadshot may be a very bad man, but he's also a loving father. It's because Will Smith plays him, and winds up being the most heroic of the bad guys. Maybe the Justice League will give him a call. You have to wonder if Deadshot would be darker if someone else played him.

Overall, DC fumbled again because Suicide Squad tried to be just like BvS only with bad guys and a Big Bad who was just like Apocalypse. Besides, couldn't Enchantress go all over the city to pick up parts for her Darkness Machine instead of having her "brother" do all the heavy lifting? If they took another route, like Waller causing the catastophe to justify the need for a Suicide Squad, it would have been better.

There is a post-credit scene that shows what the movie really is:  another prologue for the real start of the 'verse, the Justice League movie. At least all Marvel movies may be connected, but they are also their own stories. Warner Brothers and DC better figure that out fast, or the Guardians of the Galaxy will lap them twice.

Oscar Weekend, Part 2

My last big trip is almost done. Even though I wasn't close to the Oscar Red Carpet this year, at least I have this...



and his wife too...



Getting Ben Affleck and Jennifer Garner was worth waiting many hours to get a glimpse of big movie stars. It also makes my decision to blow seven hours at Comic-Con to get a poster autographed by Quentin Tarantino look smart by comparison. I am still stunned Oscar got over its fear of blood and gave Original Screenplay to Django Unchained. I was so sure Amour would upset Zero Dark 30. Gosh!
Anyway, it wasn't too bad standing out at Hollywood and Highland behind a fence for several hours. I got more good photos this year, but I really prefer being in the bleachers. I do remember two women arguing over who belonged at a certain spot and who was there first. Also, I'm surprised I got anything because I was barely able to figure out who was where. Again, I should try this again....and I mean it this time...when I manage to get a spot in the Oscars bleachers. At least you also get a small gift bag afterwards
Anyway, here's my link to the Flickr Oscars 2013 album.

Here are some other highlights:



The building formerly known as the Dolby Theater



Oscar getting some last-minute touch-ups before the actors show up



Tarantino waving to fans.



OK, try to find Daniel Day Lewis' head. (It's under the stylized Oscar sign.)



KTLA's famous transmitter at Sunset Boulevard, with blinking lights!

As far as the Oscars are concerned, I'd like to see them again, saved in my DVR. Seth MacFarlane's humor doesn't fit the Oscars. I know that much. It also had great singing, even though it probably added too much time to the show. I guess no musical numbers next year, unless they sing really fast. At least they got a million more viewers than last year, yet people will be undecided on who they should beg to host next year: Hugh Jackman or Alec Baldwin.
I also want to see the Independent Spirit Awards. Thankfully, I know only two things: Jennifer Lawrence showed a lot of skin, and Matthew McConaughey won something and sang.

The weekend also had a new first: visiting KABC so I can see a special version of Good Morning America live. It was odd being up at 4 AM to see it. I also had to walk for a long time to get there. Thank goodness for all those times on the treadmill. They did treat the audience well with free Starbucks coffee and pastries. The main hosts also looked great, especially Robin Roberts. The GMA set was a basic set, but it was still good. If nothing else, I learned Lara Spencer and Sam Champion are great dancers.

After a quick nap, I went to see Craig Ferguson. The new set is a few doors down from the old closet-sized set. While I was surprised Keith Olbermann didn't discuss politics, what was discussed was still very funny. It did reveal one big surprise: Keith was actually interviewed to possibly replace Pat Sajak?? Not sure about that, but hosting the Late Late Show instead of Tom Snyder? That would work. It means Keith wouldn't be on ESPN or Fox Sports. Think about that.

As usual, I scoured the local thrift stores for eBay bait, getting inspiration from Macklemore. I got some unexpected finds, and I'll get to that later.

Best Director Should Have Been A Seven Person Race

It's been several hours since I and about 80 other people became the first people to see Zero Dark 30,  which showed how we finally found Osama Bin Laden. Sadly, how that story was told may have cost Kathryn Bigelow another Oscar. That's what happens when the Senate wants to investigate you for exposing alleged secrets.

If that were the case, when will Ben Affleck be investigated by the FBI for Argo? That IS why he's not up for Best Director, either, right?

Or did the Academy just screw this up...again?

Well, if Steven Spielberg winds up winning for Lincoln, it would make sense. I just hope he points out that he may have won, but two people who belonged in the race should have been there.

Maybe those torture scenes scared off Oscar voters from Zero Dark 30, but they didn't prove that the movie supports it. Remember, they happened in the scenes set before 2009. The movie reflected what methods the CIA were using, and how the wounds were still pretty fresh when Dan, played by Jason Clarke, was severely interrogating that detainee. When Obama arrived, the rules had changed.

The one who played the game, who we will always called Maya, never wanted to stop playing. Jessica Chastain is fantastic as the CIA agent who had been looking for bin Laden her whole life. Seeing her gain experience and confidence is fascinating. In her first interrogation, she stays in the back while Dan does the dirty work. Slowly, she steps forward, and takes over the job, even as she is nearly killed by one bomb and sees her best friend blown up by another, disguised as a possible lead to bin Laden. The movie also shows that looking for him can be just as frustrating as looking for any other horrible criminal. Mistakes were make, but it takes one break or a second look to change anything. This is one girl with a mission, and she will see it through for those who died, including her friends.

I liked two scenes where Bigelow shows how tough the job really is. One of the CIA staffers tries to find the elusive courier helping bin Laden in a crowded street in Pakistan. She pulls back the camera to show how tough it is to find him, much less his face.

The other scene is when Seal Team Six heads to Abbottabad to the place where bin Laden is...they hope. Seeing the soldiers blast through the place, then carefully look through each room, was very tense. Seeing them find bin Laden was almost a relief.

Despite all the controversy over Zero Dark 30, Bigelow was not tossed off the Best Director race because of politics. It may have been that for some voters, but maybe it was also the fact they had problems voting with the new internet ballots.

Why else was Affleck also snubbed?  His victories in the Critics Choice Award and Golden Globes may suggests that. Argo was a basic political thriller, where a CIA operative uses a fake movie project to get several US Embassy employees out of Tehran. The tension there was mainly the fear of being caught, or that the ruse may be exposed. What's so controversial about that?

Whoever wins Best Director at the Oscars should have an asterisk next to the name. While the list may be impressive, including two that made what could be the best indie and foreign movies of 2012, it will always be called incomplete.

For the record, I think Bigelow will get the Directors Guild Award, but Affleck's success shows the Best Director for 2012 may not be the one who will be holding an Oscar--or be allowed to compete for one.